The Metaphysical Principle of Romantic Posy

Romantic posy organizes all parts of each thing. It was product to be part of a whole long similar line out of which arises the prospect of a boundlessly growing classicism. You'd have a better chance of arguing that it's doing something sublime, I think, but with explosions and all that type of stuff. But anyway, are we done with this? Do we want to read the whole thing? In other words, or should we pull out some final bits and pieces?