Miguel Fuentes & Marco Buongiorno Nardelli on Music, Emergence, and Society
COMPLEXITY
The Cycles of Complexity in Social Dynamics
In chile and places like incile, you increase the complexity of society. And then there is something where you need to have a new type of er social agreement. The western society have passed through that over the times. I think we are observing now a reestruuration of things on a different level. There are very ideas that are coming out about some new outlets for music.
One way to frame the science of complexity is as a revelation of the hidden order under seemingly separate phenomena — a teasing-out of music from the noise of history and nature. This effort follows centuries of work to find the rules that structure language, music, and society. How strictly analogous are the patterns governing a symphony and those that describe a social transformation? Math and music are old friends, but new statistical and computational techniques afford the possibility of going even deeper. What fundamental insights — and what sounds — emerge by bringing physicists, composers, social scientists, data artists, and biologists together?
Welcome to COMPLEXITY, the official podcast of the Santa Fe Institute. I’m your host, Michael Garfield, and every other week we’ll bring you with us for far-ranging conversations with our worldwide network of rigorous researchers developing new frameworks to explain the deepest mysteries of the universe.
This week on Complexity, we sit with two of SFI’s External Professors — Miguel Fuentes at the Argentine Society for Philosophical Analysis and the Institute of Complex Systems of Valparaiso, and Marco Buongiorno Nardelli at the University of North Texas — for a discussion that roams from their working group on the complexity of music, to fundamental questions about the nature of emergence, to how we might bring all of these ideas together to think about social transformation as a kind of music in its own right.
A show that spend so much time exploring sense and nonsense would hardly be complete without technical errors, so please accept our apologies for losing some of Miguel’s backstory to a recording glitch. For this reason, be extra sure to check out our extensive show notes with links to all our references at complexity.simplecast.com.
Note that applications are now open for our Complexity Postdoctoral Fellowships! If you value our research and communication efforts, please subscribe, rate and review us at Apple Podcasts or Spotify, and consider making a donation — or finding other ways to engage with us — at santafe.edu/engage.
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Referenced in this episode:
An ‘integrated mess of music lovers in science’
on the 2020 Music & Complexity SFI Working Group
(with YouTube playlist of talks)
Expanding our understanding of musical complexity
on the 2022 Music & Complexity SFI Working Group
Topology of Networks in Generalized Musical Spaces
by Marco Buongiorno Nardelli
Tonal harmony and the topology of dynamical score networks
by Marco Buongiorno Nardelli
a computer-aided data-driven composition environment for the sonification and dramatization of scientific data streams
by Marco Buongiorno Nardelli
Machines that listen: towards a machine listening model based on perceptual descriptors
by Marco Buongiorno Nardelli, Mitsuko Aramaki, Sølvi Ystad, and Richard Kronland-Martinet
Does network complexity help organize Babel’s library?
by Juan Pablo Cárdenas Iván González, Gerardo Vidal, and Miguel Fuentes
Complexity and the Emergence of Physical Properties
by Miguel Fuentes
The Structure of Online Information Behind Social Crises
by Juan Pablo Cárdenas, Gastón Olivares, Gerardo Vidal, Carolina Urbina and Miguel Fuentes
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