Philosophy and Ethics of Unfinished Art

This chapter investigates the philosophical and ethical dimensions of unfinished artworks, with a particular lens on Michelangelo's pieces. It examines the contrast between historical restoration practices and contemporary expectations of completion, and how these actions shape our understanding and appreciation of art. Furthermore, the discussion highlights the evolving relationship between art, society, and accessibility, advocating for a broader definition of what constitutes art and its place within everyday life.