
88 | Alex Kurtzman & Jenny Lumet: Why Destabilization Is Essential For Your Writing
The Screenwriting Life with Meg LeFauve and Lorien McKenna
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The Man Who Fell to Earth
i feel like when annie got up toi there's a big chunk o rige, or geting married, where people are dancing and there's no dialogue. And then annie gets up to dance, and deborah winger does not. And i feel like that ah tells you everything that you need to and she eedn't. So i'm with you that that it doesn't necessarily have to be action or music oriented. It can certanly be im emotional, and everything hangs on thatit, that's the the goal, right? That it's all those things. Ther's all thoseThings. Now, we got a question from billy joe about the
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