"There is a smell like now we're part of the city. That's yeah, exactly," he says. "It's like a journalist describing into us but now we're just in it." He adds: 'Now that we've helped build it, we're still in it' And then this it's a little a boy playing a flute. All the little idyllic parts of old women passing out flowers to all young men wearing it with their shining hair. Trumpet sounding the horses. Sober faced young riders. Do you believe? Do you accept the festival, the city, the joy? No? Then let me describe one more thing. Should we just read some
David and Tamler are pulled into Ursula K. Le Guin's "The Ones Who Walk Away from Omelas." Omelas is a truly happy city, except for one child who lives in abominable misery. Is that too high a moral cost? Why do some people walk away from the city? Why does no one help the child? Why does Le Guin make us create the city with her? Plus, we talk about our listener meetup in Vancouver, and a new edition of [dramatic music] GUILTY CONFESSIONS. Note: if this episode strikes you as too puritanical, then please add an orgy.
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