Ocean at the End of the Lane by Joel Hallwood

I think part of what makes Ocean at the end of the lane work is it is so organic. It was like, you know, I had a little torch in my hand, and I was walking through thick fog at night. So I could always see where I was going next, even if I didn't know what would happen after that. Just like the boy in the story. But I'm fascinated to know, you've described it as essentially capturing containing your memories of your childhood. And you haven't adapted this for the stage. Joel Hallwood has done that. Was it an easy decision to allow someone else to tell that story on the stage? They basically said, we want to