
John Ford 1962-1972 (The Old Man is Still Alive, Part 3)
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John Ford and the Navajo: Cinematic Complexities
This chapter explores John Ford's financial and cultural interactions with the Navajo during film productions, emphasizing the integration of the community and the distortions of historical narrative in his works. It critically examines the evolution of Ford's portrayal of Native Americans amidst shifting societal perspectives and the broader implications of Hollywood's treatment of indigenous peoples.
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