Kenny is, for better or worse, a very consistent person. So his material was very easy to cut because it's very consistent. The critics were chosen because i knew they were curious people who would go there with me. I could have cut six different films with completely different points of view. Like each of those critics occupied so many different worldsd with me that in those interviews we could have gone anywhere.
Love it or hate it, but you've definitely heard it: the so-called "smooth jazz" of saxophonist Kenny G. Filmmaker Penny Lane talks about her documentary, Listening to Kenny G with EconTalk host Russ Roberts. They discuss the pursuit of perfection, the power of vulnerability in art, and why Kenny G is loved by the people and reviled by the critics.