Civic vocation as substitute for transcendence

David Foster Wallace, the loquacious novelist behind Infinite Jest, seemingly predicted much of our culture moment from AI avatars to the hypnotic and addictive temptation of the infinite scroll. In his fiction and essays, he agonized over the ways in which advertisers and mass media have coopted techniques of subversion and rebellion like irony to make products that are more entertaining, more flattering to our egos, and more difficult to ply ourselves away from. As a writer of dizzingly erudite, complexly structured, yet morally earnest fiction he was concerned with devising new imaginative ways of competing with our short-circuited attention spans. Great literature he argued, like life, if it is to be meaningful and edifying, requires difficulty, concentration, and attentiveness. Wallace made great demands on his readers, but always with the implicit promise that in wading through the difficulty and by sticking with the forking paths of his sentences and elliptical thoughts, a higher pleasure and more last meaning would arise. The culmination of this effort at demonstrating the virtues of difficuty and choosing what we pay attention to is his posthumously published novel, The Pale King. In this episode, Hannah Smart, joins us to discuss this novel's profound meditations on civics, conversion experiences, and the transcendence of boredom. The novel posits a new kind of modern hero and solution to the problem of meaning that has plagued modernity and life under capitalism. According to Wallace, the secret to enduring modern life is the ability to withstand the despair of boredom and push through tedium and meaningless data to the point of transcendent acceptance and singular awareness. Through a discussion of her recent essay, Nothing Ever Happens: "Mister Squishy" and The Year of the Sentence Diagram, we analyze how Wallace on an atomic sentence level enacts the alienation, fretful search for meaning, and the dissolution of the self. Wallace longed for an escape from the prison of a neurotic self-consciousness and The Pale King was his final attempt to flee the analysis-paralysis of the reflexive self towards a higher purpose.

It is a novel that poses the provocative thesis that true heroism in modern American life consists in the endurance of soul-crushing boredom, and that by cultivating sustained attentiveness and wading through the myriad noise of the culture industry we may find on the other side an enlightened tranquility. 

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