Exorcist & Exorcism Films (Fallen ⧸ Constantine)! Jay Dyer
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Possession, Perception, and Psychological Warfare
This chapter critically examines the themes of possession and demonology in exorcism films, particularly through the lens of 'The Exorcist' series. It explores the film's connections to psychological manipulation, historical events, and CIA operations, while questioning modern religious practices and the interplay between cinema and faith. Additionally, the discussion highlights the implications of collective spiritual links and critiques contemporary interpretations of apocalyptic narratives in film.
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