When i was about 16, i got a scholarship to attend the pre college pogram at jewelyard city. And it was thrilling and intimidating and so much work. But what i realized during that time was that as much as i was growing and learning from those six or seven hours spent in the practice room, there was something kind of confining about it. I had no desire to be playing uno packebas kenyon, or whatever it is that orchestras these days are a kind of force to have to play. That was really hungry to learn and to learn beyond the double bass.i don't think it was clear to me that i wasn't going to become

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