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Inanimate Objects Aren't Inanimate (Or Objects)

The Emerald

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The Power of Trip in Clay

I used to struggle in school because you have to study all the different materials, the raw materials and how they affect so you can formulate the perfect clay or the perfect glaze. And I would walk in there and all I would see was like a bin full of hands and a binfull of elbows and a binFull of ankles and a nose. And it was almost like you're building the perfect woman. So you have to formulate the correct and perfect one that will meet your needs rather than modifying yourself for appreciating the clay as herself.

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