I've been kind of challenging myself of wondering, can i make an imersove work that's really meaningful and special with none of the bells and whistles of an immersive set? Can it be in a bare room that has four walls and some chairs? And is that possible? And i don't know about that. I mean, i think it's one of those huge challenges that people don't fully appreciate of this immersive form - because their siht specific. They don't translate, they can't move, they can't be put on in a high school gim. It's a real, i think, challenge for the form to be able to figure out how the how
Zach Morris, Tom Pearson, and Jennine Willett of Third Rail Projects on caring for the audience, incubating new work, and intimacy versus scale.
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© 2022 Future of StoryTelling, Corp.
Produced by Future of StoryTelling, Corp.
124 West 13th Street
New York, NY 10011
Founder and CEO, Charles Melcher
Executive Producer, Carolyn Merriman
Producer, Sarah Vitak
in collaboration with Charts & Leisure
Founder, Jason Oberholtzer
Executive Producer, Mike Rugnetta
Editor, Garrett Crowe
Mix and Music, Michael Simonelli
With special thanks to Zach Morris, Tom Pearson, Jennine Willett, Bonnie Eldon, Shannon Fanuko, Meghal Janardan, and Megan Worman.