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A Discordant Time: Musical Revolution Since the 1960s | Fr. William Goldin

The Thomistic Institute

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Discerning Objective Beauty in Music

The chapter addresses the difficulty of identifying real beauty in modern music and offers strategies to appreciate objectively beautiful music, particularly from earlier composers like Palestrina and Samuel Barber. It also emphasizes the importance of rediscovering and re-exposing ourselves to the wealth of beautiful music, touching on the works of contemporary composers like Kevin Allen and Morton Lordson for liturgical purposes.

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