Can You Separate the Art from the Artist?
Draftsmen
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How to Study an Artist Who Is Objectionable
If I was going to make any kind of a study of someone who was so objectionable that I'm trying to extract lessons in craft, I would want to do it in the presence of people whose lives have been affected or would be closer to the negative effect of that than if I were to just be sorting this through on my own. My experiences are limited. Your experiences are more wide than mine. And there's a specific way in particular. The lexicon of artists that I teach from is a limited lexicon of people types. But as soon as we're studying filmmaking and storytelling and issues that affect social justice, then we complicate this. That's where I wouldn't do it alone because
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