Using the Six Diminished Movement, Right?

So this is best when the constant note is the melody. So here i have a on top, and right below it i have e and g. So like two notes of that g diminished. And i'm just going to move those down for the second one, to d and f. In four movements, i went diminished, diminished, six. When you get to the b flat, you could go b flat below c sharp, e. Then when that b flat and the melody comes down to a, you could bring those up for a little paraloch so oblique. See if you can find some other melodies.