The Importance of a Longer Demo

"I felt like I was in a computer game or something like in a fantasy computer game. It instantly made it feel, it took that ominous feeling that Joanna and Leia had created and built a whole world out of it." "The skeleton I'd sent to him was now like fleshed out. Still needed skin," he adds. 'But I felt like already we had a bit of muscle there and some'

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Episode notes

In this episode, John catches up with the mastermind behind Temps, James Acaster, at Strongroom Studios, to talk about how he wrote, recorded and produced the album ‘PARTY GATOR PURGATORY’.

Reflecting on the genesis of Temps, James talks us through the initial moments of creation, from recording and chopping up his drums from an unaired mockumentary, through to his selection of almost 40 collaborators and how they each steered the music in such unexpected directions.

As well as stories of field recording and Pokemon catching on Brighton beach, we hear thoughts on the differences and crossover points between creating as a standup comedian and as a musician, discussing failure, taste, and the importance of considering your audience.

Listen to find out, why embracing deliberate imperfection can yield surprising results, how metal drums can transform into an emotional waltz, and why, on whatever project, the most important thing is that you love it.

Tracks discussed: lookaliveandplaydead, at(moves), slowreturn

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Listen to ‘PARTY GATOR PURGATORY’ here.

Bella Union

Intro Music - Sunshine Buddy, Laurel Collective

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Garageband

Yeti Microphone

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HELP SUPPORT THE SHOW

If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)