Serect ra exactly. And i would also argue that there's familiarity in the fact that, you know, it's a jackson polock. It reminds me of a work that was done trying to claim that abstract expressionist paintings like jackson pollock were in part successful because they were scale free. That is to say, there were things going on on very tiny s and things going round medium scales and things going on loal scales. They were fractles. But do you think you thing is something like that? I mean, have you studied whether something ike that is also true in music, thatatit's not just a the surprise aspect, but a multi scale

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