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Galatea and Shakespeare

Arts & Ideas

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The Subversions of Shakespeare's Comedies

The idea that it's an all-male stage is inherently flawed because it doesn't again leave space for trans identity and I think you're pointing to a difficulty in our language and our ability to talk about it. Some scholars have suggested that female characters who are murderous and dangerous and rebellious were more prevalent during the Elizabethan period. When we get to the Jacobian period they start being plays about tyrannous men so this is particularly true in a true crime genre known as domestic tragedy. The outrage is happening in a small religious-led minority then much as now.

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