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Thom Yorke and Stanley Donwood; Wayne McGregor on Carmen Herrera; Whistler’s Mother

The Week in Art

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The Limits of Freedom

I think we've got sort of almost reflexively kind of returned to the idea of narrative and landscape. And it's like I'm trying to always fight against it, but it keeps coming back. There's a limit to how long and how hard you can fight against it. You know, patterns emerge or how are you still talking about that or keys or instruments or it's not devoid of any context at all. It strikes me though that even though it is not devoid of context and it is not abstract, you don't illustrate the music. No. Oh, you've already done that. Or what you've said, you know, like literally analysis to the point where it was deaf

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