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Impossible Professions: Freud and Janet Malcolm (ft. Patrick Blanchfield & Abby Kluchin)

Know Your Enemy

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The Freudian Perspective on Transference

Every subject of writing knows on some level what is in store for him and remains in the relationship anyways, impelled by something stronger than his reason. He that has eyes to see and ears to hear may convince himself that no mortal can keep a secret. If his lips are silent, he chatters with his fingertips. Betrayal oozes out of him at every bore. Is that from Dora? That's from Dora. And I think this could also apply to some of the writing that the, your excellent work on John Le Corre,. Like relationships between spies and agents and their assets, et cetera.

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