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The Day Is for the Living

The Reith Lectures

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A Novel About the Past

When you choose a novel to tell you about the past, you are actively requesting a subjective interpretation. You're buying a painting with the brush strokes left in to the historian. The reader says, take this document object person, tell me what it means. To the novelist, he says, now tell me what else it meansthe novelist knows her place. She works away at the point where what is enacted meets what is dreamt. Where politics meets psychology, where private and public meet. I break through the false wall, and on the other side, i connect my personal story with the collective story.

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