This chapter delves into the contentious portrayal of Leonardo da Vinci's Last Supper during the Paris Olympics, highlighting its queer interpretation that drew significant backlash. The speakers explore the broader cultural implications of such artistic expressions, particularly in relation to declining religious values and changing societal norms. They also critique the fragmentation of American society along political and demographic lines, emphasizing concerns about radicalization and societal cohesion.
Democrats try to label Donald Trump and JD Vance “weird” in order to escape the core reality: their candidate is incredibly weird; the Olympics opener features drag queens posing as The Last Supper; and Hezbollah murders 12 Druze children.
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