The White Lotus Season 2 Cinematography (with Xavier Grobet ASC AMC) GCS322
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How to Film for 360°
I like lighting the room and then see what happens to the actors after it's lit. That's how I like to work. So your technique is almost as if you were filming for 360. Like you're just lighting the environments, giving your camera operators as much flexibility so they can go wherever they need to go. With all the limitations of having to film in historic locations, not having a lot of options was challenging too. Even when we shot at the theater, the opera scene, yeah, that was also hard because, you know, we couldn't move any seats, we can change in it.
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