For me mass music making is in a sense the ideal of human existence it shows what we're capable of as a group of people yes you can build a cathedral whatever as a group but when you people come together and make music that's transcendent it shows the potential of the human being effectively. I'm not a musician I can't play any instruments so anyone that can I'm always slightly amazed by that talent. Cover versions are very interesting because they show what's possible that change is possible, reinterpretation about being resourceful all those things that human beings are and it's about changes in society and so on. So for me I really love cover versions because I speak of so much
Ben Luke talks to Jeremy Deller about his influences—from writers to film-makers, musicians and, of course, other artists—and the cultural experiences that have shaped his life and work. Deller, born in London in 1966, has created some of the most extraordinary works of recent decades, acting as a catalyst for exhibitions, films, events and happenings that often involve numerous collaborators. His works reflect on social movements, communities and countercultures, the history of art and design, pop-cultural forms and celebrated public figures. He discusses the early influence of Francis Bacon, how Mike Kelley was an important figure in defining the possibilities of art’s relationship with popular culture, the power of Gitta Sereny’s pivotal biography of Albert Speer, his ongoing engagement with music in various forms, and much more. Plus, he gives insight into his studio life and answers our usual questions—including the ultimate: “What is art for?”
Jeremy Deller, Art is Magic (book), Cheerio, £30/$60; Art is Magic (exhibition), Frac Bretagne, La Criée contemporary art centre and Musée des beaux-arts, Rennes, until 17 September; Jeremy Deller: Welcome to the Shitshow!, Kunsthalle Charlottenberg, Copenhagen, until 6 August.
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