Introduction

Joel Edgerton’s decision to start a filmmaking collective with his brother and friends in Australia is the foundation for his career and an ideal representation of the collaborative process. Joel talks with Marc about the allure of menace, which he infuses into the films he’s directed like The Gift and Boy Erased, as well as his performances in movies like Black Mass, Animal Kingdom and The Stranger. Joel also explains the revelation that occurred to him on his latest film, The Boys in the Boat, which made him understand why we all love an underdog story.

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