Cher and her friends in Clueless carry their mobile phones as a status symbol. Phone companies now saw the opportunities of product placement in movies. The most obvious comes with the Nokia 8110 which features in the Matrix. Horror movies depend upon characters being isolated and the mobile phone was a technological innovation that withdrew that major threat.
Their return to rule is unequivocally bad for the country’s women and girls. But wholesale collapse has not come and some aspects of government have improved; it turns out threats of grotesque violence change behaviours. We investigate the curious case of Morocco’s absent king—and his unlikely mixed-martial-artist pals. And how the mobile phone has shaped cinema for half a century.
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