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299. Ten Steps to Nanette with Hannah Gadsby

The Guilty Feminist

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The Journey of Developing a Performance

When I was performing that show, it was an agitated state for the really troubling bits. But then I'd have these little things. My mum's voice in the show was a grounding thing. That was an impersonation. So every time I'm like, oh, hand that. It's sort of like manufacturing some stimming into the performance without it looking like stimming. You had to sort of hide it and then you don't do this. You're not going to do this. Men suck. There's a hand flapping gesture for those listening at home. When I get really agitated, I do that. I'm more of a shutdown autistic than a physically expressive so I tend

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