Analyzing Mermaids: From Hans Christian Anderson to 'The Little Mermaid'

In episode seven of Faculty Spotlight, Mark and Lauren sit down to chat with two BISR faculty whose interests, scholarly and otherwise, dovetail in fascinating ways—Sophie Lewis, writer, critic, and leading scholar of family abolition and the politics of reproduction; and Paige Sweet, writer, practicing psychoanalyst, and founder of the experimental writing project Infinite Text Collective. Following Sophie’s personal reflections on her early experiences of the injustices in-built into middle-class heteropatriarchal institutions like the family and formal schooling (“nothing is apolitical”), the four of them discuss: what previously overlooked insights one might still unearth from so-called second wave feminists like Silvia Federici (is the witch a figure of incipient queerness?); how fecund and fungible was the time of transition from feudalism to capitalism, not least for thinking with gender; the “unruly undertows” of popular and “low” entertainment (Chicken Run as exemplary Marxist-feminist cinema!); autotheory, autofiction, autoanalysis, and the affordances of writing from the self; why children’s liberation is to everyone’s benefit; and the erstwhile pin-up career of Barnacle the cat—with much else in between and besides.