Is It Evolution of the Way We Work?

I try to make sure there's none of this clashing between the camera department and visual effects because I think we're all in it together. The other thing I try and do is work pretty closely with the visual effects people because I want them to get what they want. A lot of times they want to shoot it in a way that isn't the way Roger wants to shoot it. So I'll just find out quickly and then get back to them. Yeah. It's evolved mostly in acceptance by other people by directors and producers of the way we work. We've found it's a very efficient way of doing it.