Benny's portrait of Valerie Amos is often looked at on in terms of a kind of outsider's portrait. But I think when you compare it with poor old Lord Sainsbury, there is absolutely no question here that Benny's version of Amos really wins up. There is a woman who's turned her kentichlof into an image of her own particular power identity. And it's going back a bit to the Emperor Claudius withLord Sainsbury. In the end, we think, I live in a university which is full of pictures of men in urban or many of these. They do define, in a way, our vision of power. That's all they can be

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