Directing Award Winning Experimental Feature Films With Slamdance Filmmaker Matthew Wade
Show Don't Tell: Micro-Budget Filmmaking
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Blackrict - Is There a Story Thread Through the Dialogue?
Blackrict was interesting because there was a much more flushed out, dialogue heavy screen play. We all collectively realized in the first couple of days of shooting that what we wanted to shoot was kind of different than what was on the page. So i started stripping away a lot of dialogue as we went that didn't feel like it was necessary. A lot of it, for me, with editing is like instinctiual. And by thatmean that thing were yare watching it, and you're really trying to be as hard on your edit as you possibly can.
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