
Bryan Washington Reads Haruki Murakami
The New Yorker: Fiction
Anssaki and Chimo
"Anssaki identifies that, yes. Nd then when he gets to a cuchiro, he everything around him seems a little bit off," says the director. "She's got this kind of weirdly shaped face that makes him think of a hoofed animal." He feels something from the past is happening in the present. And perhaps that's the intent. Perhaps her presence is simply in the story to unsettle him enough that he will reach the final end point, or the beginning point?"
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