I think a great deal. She began drawing in school when she was working as a secretary. They were all gathered together in boxes. And then when she was actually writing her poetry and gathering them together for a collection, that would spark off another drawing which would start off another poem. It's true that critics have been rather unsettled by them. So I think Philip Larkin, when he was writing at length, reviewing her selected poems, thinks they should have ended up more or less in the fire. But I think he's also quite dismissive, so talks about the fact that because she writes about cats all the time and because she doodles, she shouldn't be taken seriously.

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