Music Theory's Racism Problem with Philip Ewell
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Challenging Racial Representation in Music Theory
This chapter provides a critical examination of diversity and representation in music theory, emphasizing the experiences of a Black music theorist in a predominantly white field. It highlights the necessity for integrating racially diverse perspectives and critiques historical figures like Heinrich Schenker for their problematic views on race. The discussion also reflects on the implications of audience demographics and the backlash against advocacy for inclusion in academic settings.
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