The Trick of the Story Grit

The author, the story teller, has to be able to keep all those eyes in mindrigt. This is the trick of the story grit. It's like separate the problems into smaller problems. So you need to think about wheters, the literal, kinetic motion on the screen of the mind of the audience. That's your first priority. And you want to mix it up. You want to have different numbers of people on the stage at different times. I mean, this is what a set designer does in a play. This is why you hire the great stage lighting, because they make the set different in each scene.