Crafting Music: Creativity and Collaboration

This chapter delves into the intricate dynamics of music-making, especially within established partnerships, and examines the distinctive songwriting style of the Pixies. It also introduces Musiversal, a platform that facilitates remote recording sessions with top musicians, highlighting its benefits and a special offer for listeners.

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John is joined by Pixies, Charles Thompson (aka Black Francis), and producer Tom Dalgety, to talk about how they wrote, recorded and produced the band’s latest album ‘The Night The Zombies Came’.

The Pixies are an American alternative rock band widely acclaimed as one of the pioneers of the late 1980s rock movement. Their first three albums - Surfer Rosa (1988), Dolittle (1989) and Bossanova (1990) - defined an era as well as earning the band much critical success. The Pixies have influenced numerous prominent artists including Nirvana, Pearl Jam, Radiohead, The Strokes and Weezer. Since re-forming in 2004, they have maintained a steady creative output, working closely with producer Tom Dalgety.

Catching up at Strongroom Studios, Charles and Tom share stories from their album writing process, including the last minute track that Tom snuck onto the record, the inspiration that came from trips around the English countryside, and the creative results of Charles’s temper tantrums (which included his songwriting notebook ending up on the studio roof!).

Tracks discussed: The Vegas Suite, I Hear You Mary, Jane (The Night the Zombies Came)

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Pixies Recordings, BMG Rights Management Limited

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