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Story Or Die With Lisa Cron

The Creative Penn Podcast For Writers

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How to Get a Motion on to the Page

"Our job is to elicit emotion in the reader," he says. "We have to become masters of story manipulation." The way you get amotion on to the page has nothing to do with thinking about what emotion you want to get on to the pages, writes Michael O'Leary. Back is what gives meaning to what's happening and only when does it come into play.

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