Challenges and Budgeting in Immersive Storytelling

An immersive producer is a key role in any XR project - so what does it take to become one yourself?  What are the nuts and bolts of delivering a project to budget, and what technical knowledge do you need to be able to translate what clients want to developers? This week we have two guests that have worked on some ground-breaking immersive projects, Katie Grayson from Passion Experience, and executive producer Zillah Watson. Both of them share their top tips on the different phases of production and discuss the making of the BBC’s Emmy-nominated ‘Dr Who: The Runaway’.

Zillah Watson, Executive Producer

https://www.linkedin.com/in/zillahwatson/

Katie Grayson, Passion Pictures

https://www.linkedin.com/in/katie-grayson-42b8447/

Credits:

Presenter: Shehani Fernando 

Producers: Chris Hogg & Shehani Fernando 

Assistant Producer: Max Bower

Executive Producer: Will Saunders

Editing and sound design: John Wakefield & Matt McGuinness 

The title track is: ‘A Thousand Years’ by David A Molina

Additional music: Neil Cullen

Thanks:

Clips from Congo VR and Dr Who: The Runaway, courtesy of the BBC

Clip from Critical Distance courtesy of Vision 3

Thanks to Satore Studios for use of the Swan AR clip

Resources:

Passion Pictures - http://www.passion-pictures.com/experience/  @passionpictures

BBC’s Congo VR Piece: https://canvas-story.bbcrewind.co.uk/congo-vr/ 

Dr Who: The Runaway: https://www.youtube.com/watch?v=-RPe6aNiotA

Hololens 2: https://www.microsoft.com/en-us/hololens/buy

Critical Distance: https://www.vision3.tv/VR-3D-projects/post.php?permalink=critical-distance

Satore Studios: https://satorestudio.com/ @satorestudio

Guide to virtual production: https://www.unrealengine.com/en-US/virtual-production

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