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ICYMI: Edward Norton’s theory of mind, movies, and power

The Gray Area with Sean Illing

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Irony and Dissonance in Film

This chapter explores the intricate themes of irony and dissonance in film, particularly focusing on character empathy and the balance between comedic irony and genuine emotional suffering. It discusses the adaptation of a critically acclaimed book into film, emphasizing character development within a noir context and the deeper societal issues revealed through storytelling. Additionally, the chapter examines the complexities of power dynamics and the portrayal of characters, highlighting how film can reflect the darker aspects of society.

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