Don't You Want Me Baby?

I always think that's the difficult thing. Not so hard for just your bog standard actor. You are crafting inside number nine. Of course, you can see it from both sides. They want actors to come in and do that show. But especially you who have so much autonomy in your other projects. So there was a sort of a malleable happy medium in the end where I felt like I was doing my version of Leo. And Susan Stromman came to see it was the big choreographer of it. She said, I danced that face, the best Leo she'd seen. Because I'm not a dancer. I do it particularly book.