Exploring Novelty and Dialogue in Contemporary Literature

Katie Kitamura’s fifth novel is “Audition,” and it focusses on a middle-aged actress and her ambiguous relationship with a much younger man. Kitamura tells the critic Jennifer Wilson that she thought for a long time about an actress as protagonist, as a way to highlight the roles women play, and to provoke questions about agency. “I teach creative writing, and in class often ... if there is a character who the group feels doesn't have agency, that is often brought up as a criticism of the character,” she tells Wilson. Other students will say, “ ‘She doesn't have any agency,’ as if a character without agency is implausible or in some way not compelling in narrative terms. But of course, the reality is very few of us have total agency. I think we operate under the illusion or the impression that we have a great deal of agency. But in reality when you look at your life, our choices are quite constricted.” 

“Audition” comes out this week.