On The Other Side cover image

12. Matthew Chaim: The evolution of audiences + structuring collective creation

On The Other Side

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Are There Any Financial Incentives for Song Camp?

i'm curious if you think that essentially, these financial incentives will end up shifting the way that artists see the process of creation. i really think this also brings me back to this lute project where we have this kind of canvas to build on top of and there are economic incentives attached to it at these primitive layers. And of course, requires for people to stand up games or economies around this stuff so that those things have meaning and matter. But it feels like it's really in the hands of the creators to be able to do that. That's what we should be focused on with future projects, in making sure those things are running parallel.

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