Maintaining Ambiguity: Not Showing Explicit Symbols

There’s zero doubt, Absolute Batman Annual #1 will be one of the year’s most talked-about comics. Featuring three stories by Daniel Warren Johnson, Mike Spicer, James Harren, Dave Stewart, Meredith McClaren, and Clayton Cowles, this hefty comic centers on the early Absolute Universe adventures of Bruce Wayne, revealing how that chonky Batmobile came to be, and just how Black Mask’s party animals first encountered the Dark Knight. We read the comic a couple of weeks back, and the instant we flipped that last page, we were compelled to get Daniel Warren Johnson into a Zoom room. Thankfully, he obliged.

Johnson’s untitled story makes up the bulk of the Absolute Batman Annual. It propels Absolute Batman against a white supremacist horde, showcasing some of the most brutal action from the ongoing series so far, while doing so in a way that questions that violence’s effectiveness. As Daniel Warren Johnson has showcased in other comics like Murder Falcon, Do a Powerbomb!, and his recent run on Transformers, badass, jaw-dropping visuals are only half his might as a creator. DWJ breaks hearts as often as he breaks bones.

“It’s in my blood and it’s boiling, and I have to get it out.”

In an exclusive conversation with Comic Book Couples Counseling, Johnson explains how his tale in the Absolute Batman Annual came to pass. We discuss his reluctance to contribute to the world so expertly crafted by Scott Snyder and Nick Dragotta, and how one single image eventually caused him to put everything he had into this character and universe. Daniel Warren Johnson tells us why supplying only compelling, catastrophic action isn't enough for him as a storyteller. He requires more than an exclamation point to climax his stories. He needs a question.

Absolute Batman Annual is now available from DC Comics. Make sure you're following Daniel Warren Johnson on Blue Sky, Instagram, and his Website.

Judge Dredd Megazine turns thirty-five years old this October, and it’ll be celebrating with a very special issue perfect for first-time readers! Featuring the return of the critically acclaimed series Dreadnoughts and Megalopolis, this 100-page issue is a brilliant way to jump into the crazy world of 2000 AD. You’ll also find incredible new stories featuring Judge Dredd, Judge Anderson, and much more inside! Get a print subscription to the Megazine and it’ll arrive through your American mailbox every month – or get a combi subscription and receive 2000 AD each week as well! If you subscribe digitally, you can download DRM-free copies of each issue for only $9 a month. That’s 128 pages of incredible comics every month for less than $10! Head to 2000AD.com and click on ‘subscribe’ now – or download the 2000 AD app and start reading today!

Launching this October, it’s the latest entry in IDW Publishing's Kei-Sei line of Godzilla comics: Starship Godzilla, a cosmic adventure. It’s written by award-winning scribe Chris Gooch (of In Utero fame) and illustrated by inventive artist Oliver Ono (I mean, come on, did you read their Godzilla: Monster Island Summer Camp? Insta-Classic). The Kai-Sei Era is the only ongoing Godzilla story of its kind, crafted for comics readers who have never bought a Godzilla book and Godzilla fans who have never read a comic. Starship Godzilla #1 is out now wherever rad comic books are sold.

Other Relevant Links to This Week's Episode:

• Subscribe to The Stacks, Comic Creators Name Their Favorite Comics

• Previously On CBCC: Daniel Warren Johnson Live at Now or Never Comics

• Previously On CBCC: Daniel Warren Johnson and Riley Rossmo on The Moon is Following Us

• Previously On CBCC: Daniel Warren Johnson on Transformers

• Previously On CBCC: Daniel Warren Johnson on Do a Powerbomb!

• Previously On CBCC: Daniel Warren Johnson on Beta Ray Bill

• Previously On CBCC: Scott Snyder and Nick Dragotta on Absolute Batman

• The Comics Crossover Event with The Short Box, Oblivion Bar, Off Panel, and CBCC

• Watch The Harvey Awards on Popverse

Final Round of Plugs (PHEW):

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Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.