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PAUL MESCAL - Actor

Team Deakins

CHAPTER

How to Be a Successful Actor on a Set

I think it's just about kind of exhausting all of the imaginative possibilities and prep. Once you're talking to another actor, they're going to give you something that should innately surprise you if they've done their work. The director should come in with ideas and they'll be in conversation with their DP and that's when it's at its best. There is no better feeling on set when you just know that be it good or bad. We were all the right bracket for it but it was one of those I felt like I remember rereading it was like I'm I feel pretty right for this.

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