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Bridget Mullen

Sound and Vision

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The Shift of Pre Scale

I wanted the shape of my work to like reflect the content of my work. I, there was never a hard edge in anything I was doing. Preform and you know, on the wall with different. You know, hanging from the ceiling or coming on the floor. And I started working on tar paper in grad school. Materials that were, you know, cheap and readily available and. Already had history with them already had a ground. But it really, that time was really about developing a discipline and allowed for. My process and my curiosity and It took another 10 years before I actually started to paint.

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