‘Beau Is Afraid’: The Most Audacious and Polarizing Movie of the Year, With Ari Aster!
The Big Picture
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The Odyssey: A Story of Objectivity
The film is both a meander and something in order to work needs to be very tightly focused. There were a lot of things that I had to cut from this film before we shot it, that I just really loved as material, but just didn't work. It was important to me that it kind of stay free-willing in a way. If the film could be categorized as anything, I guess it's a pick a risk, right?
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