Art and Politics in 1863 Paris

This chapter explores the dynamic landscape of Paris in 1863, marked by both political autocracy under Napoleon III and rapid technological progress. It focuses on the Salon des Refusés, a pivotal art exhibition that showcased rejected works, reflecting public sentiment and the tension between traditional art and emerging artistic voices. By examining artists like Edouard Manet, the chapter illustrates the clash between conventional academic standards and the burgeoning desire for individual expression in the art world.

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