What Kind of Writing Will Make You Say Yes to a Script?

When there is an interesting, unique relationship it's not necessariy about the dialogue. It's like, how do i relate to that other person this scene? One of my favourites is when you write a character who says yes, and the parenthetical is no or vice verse. I don't use parentheticls. And then i'm like, oh no. Do i not write sub text? Like, is it all justt so then, of course, now i'm all spinning like a thi much everybody yrs nut?"