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Gustave Kahn, Creativity, and Symbolism with Sam Kunkel

Hermitix

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The Conqueror in the Castle

I love the idea of a character panicking almost like, you know, where's he's always meant to be there? He's not in his place. Where is he? What happens now? Yeah. And it becomes very not silly fairly quickly. I think what's funny about that too is that it speaks to the count's point of view. So when he exits, he doesn't consider the implications or the consequences that,. you know, his exit could have on them. The sort of vacuum that might be created where all of a sudden they lose one of their touchstones for their reality.

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